internal history
is written on
her cities
her roads
her sewers
her tunnels
it is to be read
on graven bones
and a thousand
etcetera of
personal adornment
sepulchers
unveiling
the inner arcana
internal history
is written on
her cities
her roads
her sewers
her tunnels
it is to be read
on graven bones
and a thousand
etcetera of
personal adornment
sepulchers
unveiling
the inner arcana
Not knowing, waiting and finding — though they may happen accidentally, aren’t accidents. They involve work and research. Not knowing isn’t ignorance. (Fear springs from ignorance.) Not knowing is a permissive and rigorous willingness to trust, leaving knowing in suspension, trusting in possibility without result, regarding as possible all manner of response. The responsibility of the artist […] is the practice of recognizing.
~Ann Hamilton
Divinatory Poetics describes a particular approach to composition: the cultivation of attention, entering in to a sort of lucid trance, experimentation with modes of thinking and angles of perspective.
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...Collage presumes a non-linear interpretation, as well as simultaneous and circular imagery that creates, "shocks". Collage emerges from the point at which desire and freedom hold sway [...] the sense of beauty that is sought is that defined by the surrealists: a break with past conventions and with rational thought.
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Listening to an On the BlackChair interview https://www.youtube.com/watch?v=xM6cHlBfgxU with Orion Foxwood (a Southern Root Magic and Appalachian Conjure Man) as I re-work an incarnation of the painting I call Soul Retrieval.
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Dreams reveal the image-content that our psyche is interested in or clinging to, energetically charged or potent images that symbolize some deeper meaning. This is our personal mythology. Why is it important? Because what we envision directs our action, even if we don’t realize it.
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My working material is what was once called the passions; or the humours and what they engendered, that is to say the phenomena that appear first in our body, coming from the innumerable turbulences of the soul. In other words: what gives us suffering. Or what gives us joy. And the two touch, they are always in exchange...we desire to be poetic bodies, capable of having a point of view on our own destiny; on...humanity. On what makes humanity, its pains and joys. ... I am sure we are all thirsting after our virtuality of greatness. And it is without limits...And we are deprived of it because we no longer even know how to let ourselves feel, how to allow ourselves to feel what we feel. Nor how to accompany this feeling the the song that echoes it and restores it to us.
~Helene Cixous (Rootprints)
i will sink
into what i am.
i will listen to the voices.
the haunted children.
the doubts.
even while the faery-tale
i thought was certain future
wilts and drops away.
even as i wonder
if i am the usurper
of my own life.
i will take one step
and then another
toward the unfurling of
this cocoon until
the piteous pleading
to be careful and be safe
and responsible
and pretty is
not even
an echo.
i will die to what
i think and be reborn
into what
i cannot fathom.
when i sing
a gateway opens,
silent and strange
apart from the mayhem
the richochet
of thought
to sing
when the sound
is sodden with longing,
is a lighthouse
on the night sea
Real poetry practitioners are practitioners of mind awareness, or practitioners of reality, expressing their fascination with a phenomenal universe and trying to penetrate to the heart of it. Poetics isn't mere picturesque dilettantism or egotistical expressionism for craven motives grasping for sensation and flattery. Classical poetry is a process or experiment, a probe into the nature of reality and the nature of the mind.
Major works of 20th century art are consciousness–particular experiments with recollection or mindfulness, experiments with language and speech, experiments with forms. Modern art is an attempt to define or recognize or experience perception––pure perception.
A few Buddhist dharma phrases correlate with the process of Bohemian art of the 20th century––notions like: Take a non-totalitarian attitude, Express yourself courageously, Be outrageous to yourself, Don't conform to your idea of what is expected but conform to your present spontaneous mind, your raw awareness.
~Allen Ginsberg
This writing finds me at the old Cairngorm Hotel in Aviemore, Scotland. I have an outside table, under an awning that only just protects me from a flight of hale.
Read MoreThe metaphor finds me.
i felt this morning as i walked, how simple it is. that i have found my home. i do not have to compete. i do not have to rush to gather skills. i don’t have to worry about how many years...all that matters is a heart of curiosity and love.
EP Hopper Photography
...not an art form like language, it is a medium whereby works of art are delivered or framed. It has the capacity to turn all of its subjects into works of art; a way to focus attention and know humanity. The medium IS the message.
(from Susan Sontag's On Photography)
scent of water, rotting things
the drag of silky strings
I pull these bones and
skin
against the draw.
what Impetus governs movement? desire? swimming through atmospheres, entertaining all the subtleties of subjective experience. this body is a vessel that lies in wait beneath conventions and conceptual architectures. it is a blueprint of divinity. a map of buried freedoms.
words are visceral, scaffolding of myth and poetry - connective tissue that conducts the destruction and creation of heaven and hell through the latticework of mind.
installation of "I" into the phenomenological orchestra. i wish to move through, over and outside the fences of habit. to unearth earth. to place a magnifying glass over the absurd vignettes of unfolding experience....
HIRAETH
An ineffable yearning (Welsh)
In psychogeography, a dérive (French: [/de.ʁiv/], "drift") is an unplanned journey through a landscape, usually urban, on which the subtle aesthetic contours of the surrounding architecture and geography subconsciously direct the travellers, with the ultimate goal of encountering an entirely new and authentic experience. Situationist theorist Guy Debord defines the dérive asmode of experimental behavior linked to the conditions of urban society: a technique of rapid passage through varied ambiances."